Concept-driven encaustic works dealing with political and social tension
In this group, I use encaustic not just for texture, but to embed contradiction. These works deal with surveillance, disillusionment, war, and ideology—yet always leave room for ambiguity. The slow process of building layers mirrors how meaning is constructed, obscured, and revealed in political life.
The Black Horse
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Technique: Encaustic on OSB
Size: 100 × 100 cm
Year: 2024
“The Black Horse” conveys a sense of raw force and forward momentum through layered encaustic textures and deep, shifting tones. The composition balances power and abstraction, allowing the figure to emerge from a field of motion, light, and shadow.
